FORTHCOMING
FICTION
Three-Day Notice to Pay or Vacate // Brightly Anthology
CHAPBOOKS
Adventures in Property Management // Sibling Rivalry Press, 2017
Thunder Lizard (Dinosauria, Sauropoda) // H_NGM_N
POETRY
Electric Connection // City Arts Magazine
Off Season // TL;DR magazine
The Mighty Insect and To Tell You Two // Exit 7
Borough Body // Territory
Abstract // Hummingbird
Controversial Fossil // Bodega
New York Journal and Advertiser, 1898 // Hobart
How Held // Voicemail Poems
More Comfort // City Arts Magazine
Fiction
Appropriate Finery // Cream City Review
Work Order Request Form // Queen Mob's Teahouse
Sports Center // H_NGM_N
Summer of '69 // tNY.Press
Dress You Up // tNY.Press
Every Arrangement // Sonora Review
Panda Porn, Declarative Life Sentences, and Indirect Mapping // SpringGun Press
Housebroken // Monkeybicycle
Animal Control // Everyday Genius
Prodigal of Smiles // Beecher's magazine
Any Old Apocalypse // Psychopomp
Another True Thing // Pif Magazine
Sweet Nothing: A Manifesto // Tupelo Quarterly
Soup and/or Sandwich // Keep This Bag Away From Children
In Violent Protection // Pacifica Literary Review
Requiem in Betta // Extract(s) // Extract(s) Anthology Vol. 2
For As Long As It Lasts // The Conium Review
Interruption Event // Listen Party
Tony's Theme // 2013 Jack Straw Anthology
Review
Contributor Conversations: Christine Texeira // The Conium Review
"The Semiotics of Portrait Painting" A Review of The Suicide of Claire Bishop by Carmiel Banasky // Green Mountains Review
Contributor Conversations: Charles Rafferty // The Conium Review
Spinning you in its gravity—John Mortara's "Some Planet" // Poetry Northwest
A Kind of Cartography. Book Review: "How to Walk Away" // The Conium Review
Contributor Conversations: Jack Granath // The Conium Review
The Drunk Sonnets // Authors, Publishers, and Readers of Independent Literature Blog
Dean and Britta Go Pop // The Stranger
Various Music Reviews // Three Imaginary Girls
Nostalgia is Nice, Imaginary Memories are Better // KEXP Blog
A Paradox of Interests: CMJ ’06 // The Brooklyn Rail
In her imaginative exegesis of “Oh! Sweet Nuthin’” Werner-Jatzke morphs Lou Reed’s refrain into a kind of Nietzschean mantra... a blissful, transcendent nihilism.... Imagine Lou Reed rewriting “An Orison of Sonmi-451” from David Mitchell’s Cloud Atlas.